Finally posting these in a set! From the last few weeks’ Floraverse updates.
I assure you there’s a reason behind the reference material, but it’s not quite done yet.
I’ll stick this here today, too!
Finally posting these in a set! From the last few weeks’ Floraverse updates.
I assure you there’s a reason behind the reference material, but it’s not quite done yet.
I’ll stick this here today, too!
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#longue hahaThank you for engaging in the mortifying ordeal of being known so that I may partake in the euphoric experience of knowing you.
One of the most powerful moments I experienced as an ancient history student was when I was teaching cuneiform to visitors at a fair. A father and his two little children came up to the table where I was working. I recognised them from an interfaith ceremony I’d attended several months before: the father had said a prayer for his homeland, Syria, and for his hometown, Aleppo.
All three of them were soft-spoken, kind and curious. I taught the little girl how to press wedges into the clay, and I taught the little boy that his name meant “sun” and that there was an ancient Mesopotamian God with the same name. I told them they were about the same age as scribes were when they started their training. As they worked, their father said to them gently: “See, this is how your ancestors used to write.”
And I thought of how the Ancient City of Aleppo is almost entirely destroyed now, and how the Citadel was shelled and used as a military base, and how Palmyran temples were blown up and such a wealth of culture and history has been lost forever. And there I was with these children, two small pieces of the future of a broken country, and I was teaching them cuneiform. They were smiling and chatting to each other about Mesopotamia and “can you imagine, our great-great-great-grandparents used to write like this four thousand years ago!” For them and their father, it was more than a fun weekend activity. It was a way of connecting, despite everything and thousands of kilometres away from home, with their own history.
This moment showed me, in a concrete way, why ancient studies matter. They may not seem important now, not to many people at least. But history represents so much of our cultural identity: it teaches us where we come from, explains who we are, and guides us as we go forward. Lose it, and we lose a part of ourselves. As historians, our role is to preserve this knowledge as best we can and pass it on to future generations who will need it. I helped pass it on to two little Syrian children that day. They learnt that their country isn’t just blood and bombs, it’s also scribes and powerful kings and Sun-Gods and stories about immortality and tablets that make your hands sticky. And that matters.
Nothing I’ve read has changed me more than “you do people a favor by accepting their help” like I repeat this constantly to so many people because it’s true!!! People like to feel useful, they like to feel kind, they like to feel like they have an ability to impact people’s lives so just let them!! Not everything is a thing to be owed back — accept people’s kindness without making a competition out of it
I figured out too late in life that refusing random help will more often make the person feel unwanted or not trusted : (
“After learning my flight was detained 4 hours, I heard the announcement: if anyone in the vicinity of gate 4-A understands any Arabic, please come to the gate immediately. Well—one pauses these days. Gate 4-A was my own gate. I went there. An older woman in full traditional Palestinian dress, just like my grandma wore, was crumpled to the floor, wailing loudly. Help, said the flight service person. Talk to her. What is her problem? We told her the flight was going to be four hours late and she did this. I put my arm around her and spoke to her haltingly. Shu dow-a, shu-biduck habibti, stani stani schway, min fadlick, sho bit se-wee? The minute she heard any words she knew—however poorly used—she stopped crying. She thought our flight had been canceled entirely. She needed to be in El Paso for some major medical treatment the following day. I said no, no, we’re fine, you’ll get there, just late. Who is picking you up? Let’s call him and tell him. We called her son and I spoke with him in English. I told him I would stay with his mother until we got on the plane and would ride next to her—Southwest. She talked to him. Then we called her other sons just for the fun of it. Then we called my dad and he and she spoke for a while in Arabic and found out, of course, they had ten shared friends. Then I thought just for the heck of it why not call some Palestinian poets I know and let them chat with her. This all took up about 2 hours. She was laughing a lot by then. Telling about her life. Answering questions. She had pulled a sack of homemade mamool cookies—little powdered sugar crumbly mounds stuffed with dates and nuts—out of her bag—and was offering them to all the women at the gate. To my amazement, not a single woman declined one. It was like a sacrament. The traveler from Argentina, the traveler from California, the lovely woman from Laredo—we were all covered with the same powdered sugar. And smiling. There are no better cookies. And then the airline broke out the free beverages from huge coolers—non-alcoholic—and the two little girls from our flight, one African American, one Mexican American—ran around serving us all apple juice and lemonade, and they were covered with powdered sugar, too. And I noticed my new best friend—by now we were holding hands—had a potted plant poking out of her bag, some medicinal thing with green furry leaves. Such an old country traveling tradition. Always carry a plant. Always stay rooted to somewhere. And I looked around that gate of late and weary ones and thought, this is the world I want to live in. The shared world. Not a single person in this gate—once the crying of confusion stopped—has seemed apprehensive about any other person. They took the cookies. I wanted to hug all those other women, too. This can still happen anywhere. Not everything is lost.”
— Naomi Shihab Nye (b. 1952), “Wandering Around an Albuquerque Airport Terminal.”